Thursday, 8 May 2014

Hammond B3 Legend - Mr. Charles Elliot Kynard's Charles Kynard (1971)

Charles Kynard

''Charles Kynard''
( LP Mainstream Records, 1971 )
Catalog # MRL 331

El Torro Poo Poo
It's Too Late

Personnel & Credits:
Bass – Carol Kaye
Congas – King Errison
Design – Ruby Mazur's Art Department
Drums – James F. Gadson
Engineer – Ami Hadani
Engineer [Remix] – Carmine Rubino
Guitar – Billy Fender
Organ – Charles Kynard
Photography – Jarry Lang
Producer – Bob Shad
Tenor Saxophone – Ernest J. Watts

Format:Vinyl, LP, Album
Released:Los Angeles, CA, 1971
Gatefold Covers.


Reviews & Comments:
Kynard's best combo effort. Shows him in a more favorable light as a soul-jazz proprietor.

A great album from organist Charles Kynard -- one of his best that wasn't issued on Prestige! This is one of the funky jazz LPs on Mainstream that really hits a nice groove, with Bob Shad's crisp production dovetailing with Kynard's jazz funk sensibilities just right -- not too slick or uptight at all! Kynard's backed here by a nice little LA combo that includes Carol Kaye on bass, King Errison on conga, and Ernie Watts on tenor -- all players who relax nicely into the groove, and let Charles hit a sweetly gliding sort of line on the Hammond. The overall groove is similar to his earlier Prestige soul jazz classic Reelin' With The Feelin -- but with shorter, tighter tracks, and more emphasis on the funk side, which is what we love to hear! Titles include "She", "Nightwood", "Grits", "El Toro Poo Poo", "Greeze", and "Greens".

One of the best artists Mainstream ever signed, and one of the best albums they ever put out. The opening track is entitled El Toro Poo Poo. With a title like that how could you go wrong? Kynard lets loose with a series of funky rhythms like the first song, and some slow jams like She, which was sampled by Blackalicious, to provide a record that ends as well as it starts. Other noteworthy tunes to listen to are Greeze, Greens and a rousing cover of It’s Too Late that also sports a drum and conga break. Supporting Kynard on organ are Carol Kaye, of Axelrod fame, King Errison, Ernie Watts, Billy Fender and James Gadson.
By Motown67

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Charles Elliot Kynard was born February 20, 1933. A native of Kansas City, who lived and played in Kansas City, Missouri as a child, and an adult for over forty years. Considered a Hammond organ virtuoso and electric-bass player, Kynard is unquestionably the finest organist to have played in Kansas City, Missouri. Pat Metheney of Kansas City and national fame has said Charles Kynard was the best organ player he has ever played with. Foremost, Kynard holds a very special place in jazz history as he is always mentioned along with the giants of organ mastery that includes Jimmy Smith, Richard "Groove" Holmes, and Jimmy McGriff.
Kynard received his early his early education in the Kansas City, Kansas public Schools. He received his undergraduate and graduate degrees from the University of Kansas at Lawrence; Post graduate work at UCLA, University of California at Long Beach; Avila University, Kansas City; the Ford Free University in Berlin, Germany; and the Hock-Schule for Music in Berlin, Germany. Charles Kynard started studying and playing music at the tender age of nine then switching from piano to the organ. His Mother, and father, (B.C. Kynard) both were outstanding professional musicians.
An uncle, Ben Kynard, Kansas City’s own Mr. Red Top played with the Lionel Hampton Orchestra; and an aunt was a dean of Music at Hampton Institute.
In 1956-1957 he touched the world with the U.S. Army show. He also appeared on the famous Ed Sullivan show in 1956; and with the Kansas City Philharmonic Orchestra. During the early 1960’s Kynard often played as a guest organist at Municipal stadium at Kansas City Athletics baseball games. There he played the traditional baseball songs in the 7th inning stretch such as Take Me Out To The Ball Game, while also adding his flair for improvisation.
In 1963, Kynard moved to Los Angeles, California and worked in studio orchestras for Columbia Pictures, and Warner Brothers Pictures. He also worked with studio musicians in and around Hollywood. He recorded on three labels, Prestige Records, under his own name with Pacific Jazz in the 1960’s, and Mainstream Records during 1971-74. It is, perhaps, the four records he did for Prestige between 1968 and 1970 that Kynard is best known for. “Legends of Acid Jazz” which combines the last two of these, “Afro-Disiac” (1970) and “Wa-Tu-Wa-Zui” (1970). A brief discography includes: “Where it's at“ (1963) “Professor Soul” (1968) “Soul Brotherhood “ (1969), “Reelin With The Feelin”(1969), “Charles Kynard” (1971), “Woga” (1972) “Your Mama Don't Dance” (1973). In addition, Charles Kynard has accumulated numerous credits for his outstanding work throughout the years, and with many artists continuing today.
Kynard, despite the number of albums produced, actually recorded infrequently choosing to appear nightly on the Los Angeles County and New York night club scenes.
Kynard was also an educator who taught mentally challenged children of both the Kansas City, Missouri public school district and the Los Angeles County public school system. In his private studio, he would teach piano and organ to budding musicians of all ages. In addition to his love of several jazz genres that included soul, jazz, and acid jazz, Kynard equally loved and played Gospel music much in the tradition of Thomas Wright Waller (Fats Waller). To that end he served as organist at the First AME Church Los Angeles under the Reverend H. Hartford Brookins before he was selected to the bishopric. Charles Kynard later led First AME Church of Pasadena as its Minister of Music and served as organist for the Fifth District of the AME Church.
Kynard traveled and performed with Gladys Knight and the Pips, and Jimmy Witherspoon, in concerts in New York, California, Rhode Island, Massachusetts and other states. Charles had been performing with the popular stage drama, “Evolution of the Blues.” The good Lord called Charles E. Kynard home July 8, 1979 as he sat at the organ that day playing the music he loved so much.
Charles Kynard was married to the late Alice Kynard and have three children, the late Jeffrey Kynard, Kimberly Kynard of Los Angeles, and noted opera singer, Bradley Kynard of San Francisco. Two brothers, Gary Kynard of Los Angeles, and Richard Kynard of New York. An uncle Ben Kynard, and an aunt Shiverla Jones of Kansas City, Missouri in addition to several cousins in California, New York, Lee’s Sumit and Kansas City, Missouri.

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Original post: 22/11/2008

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